Last year I started logging my practice time with a goal of averaging 1 hour a day for the year. I added up the time for 2009, and voila! I had reached 570 hours! This includes piano and cello time, rehearsals, and basically any playing time. I figure that even performances are 'practice' of some kind - just the kind where there are no 'do-overs'.
I'm happy with the results, and have begun logging my time for this year. I still have the same goal - averaging 1 hour a day. This year I expect to travel more than last year, which really impacts my playing time. Last year I traveled 50% less than the previous year, and didn't travel at all for the first 5 months of 2009.
I didn't set specific playing goals last year because I'm not sure how to quantify 'playing better'. I am happy that my playing has improved, and the longer I play the more amazed I am at how much there is still to learn.
Some of the things I'm working on now -
--arm weight, all the time!
--vibrato, getting more control over speed and width
--crossing strings, making the sound more even and reducing the gap in sound
--an even sound..working towards being able to really control dynamics
--getting rid of all of the pain in my right thumb
and a random one, just because
--reading through all of Beethoven's piano sonatas
Why? I've played many of them but not all 32...so I started from sonata number 1 a few weeks ago and have been working my way through. I played sonata number 8 yesterday. I hope to make it through by the end of the year...am now starting to hear him enter into his middle period and losing the heavy Hadyn influence of the early works. I'm also hearing how much playing chamber music has helped me steady out my rhythm. I'm finding that playing the slower movements is much easier because of all of the practice counting.
So here's to 2010! Happy New Year to all!
Sunday, January 3, 2010
Tuesday, December 22, 2009
Holiday concert report
we had 2 holiday concerts last week, playing the same program. The second concert was at the Seattle Center. We were supposed to play there last year but our concert was canceled because of the snow (how quickly we forget...last year at this time we were on our way to 3 feet of snow at our house)
We had 3 weeks of rehearsals prior to the concert. Most of the pieces we had played during previous seasons, so getting ready was pretty straightforward for most of us. I thought we played better during the second concert. It was an all-holiday music concert, including favorites like "Have Yourself a Merry Christmas" "Sleigh Ride" and other arrangements of holiday music. My husband's favorite was the arrangement of Channukah pieces we played, with a great viola solo played by our principal violist.
Now we're off until the new year! Happy holidays everyone!
We had 3 weeks of rehearsals prior to the concert. Most of the pieces we had played during previous seasons, so getting ready was pretty straightforward for most of us. I thought we played better during the second concert. It was an all-holiday music concert, including favorites like "Have Yourself a Merry Christmas" "Sleigh Ride" and other arrangements of holiday music. My husband's favorite was the arrangement of Channukah pieces we played, with a great viola solo played by our principal violist.
Now we're off until the new year! Happy holidays everyone!
Tuesday, November 24, 2009
Breakthrough
I've been taking cello lessons for 6 years now, and it still surprises me that progress is non-linear. I'll notice little to no improvement, then suddenly one day, I'll have a breakthrough.
It was really exciting at my last lesson to have one of those 'aha!' moments when I could finally do something my teacher has been telling me about for years (literally!). I guess I was finally physically ready, and prepared enough for that breakthrough.
I finally could rotate my hand, wrist, and arm to get consistent bow weight on the string all the way to the tip without straining anything (particularly my thumb, which has been sore). I could feel and hear the difference in the richness of tone when I got it right. Like any new breakthough, I couldn't get it right consistently, but when I did I could feel a lot more control over the connection between the bow and the string.
It doesn't seem like much, but it sure has taken a long time to get to this point!
It was really exciting at my last lesson to have one of those 'aha!' moments when I could finally do something my teacher has been telling me about for years (literally!). I guess I was finally physically ready, and prepared enough for that breakthrough.
I finally could rotate my hand, wrist, and arm to get consistent bow weight on the string all the way to the tip without straining anything (particularly my thumb, which has been sore). I could feel and hear the difference in the richness of tone when I got it right. Like any new breakthough, I couldn't get it right consistently, but when I did I could feel a lot more control over the connection between the bow and the string.
It doesn't seem like much, but it sure has taken a long time to get to this point!
Saturday, November 21, 2009
Concert report!
We played a concert last weekend, and immediately after it was over I left for the airport and have not had any free time since I returned yesterday. We leave again tomorrow and I'm taking a break from work now...
We played
Magnard Hymn a la Justice (about Dreyfus case)
Verdi Overture to Nabucco
Elgar Enigma Variations
I thought that the orchestra played very well. Even 2 weeks prior to the concert I wasn't sure that we would be ready. There were a few rough spots in the Elgar but we managed to play well.
This was a tough program. The Magnard and Elgar are very challenging pieces. The Magnard had some very high passages in B major where the cellos had the lead. The Elgar has such beautiful writing for the cellos with very challenging rhythms. One variation was all about the cellos and was apparently an inspiration for his cello concerto. It was lovely but not easy to play, one of the themes that repeats all the time is a set of descending seventh intervals, making getting the intonation right challenging. Then there was the finale with the ultra-fast passages, which I played as Note on the Downbeat - mush - Note on the Middle Beat - mush - Note on the Downbeat - all played really fast while accelerating to the final presto section. But all in all I was pretty happy with the way I played.
We played
Magnard Hymn a la Justice (about Dreyfus case)
Verdi Overture to Nabucco
Elgar Enigma Variations
I thought that the orchestra played very well. Even 2 weeks prior to the concert I wasn't sure that we would be ready. There were a few rough spots in the Elgar but we managed to play well.
This was a tough program. The Magnard and Elgar are very challenging pieces. The Magnard had some very high passages in B major where the cellos had the lead. The Elgar has such beautiful writing for the cellos with very challenging rhythms. One variation was all about the cellos and was apparently an inspiration for his cello concerto. It was lovely but not easy to play, one of the themes that repeats all the time is a set of descending seventh intervals, making getting the intonation right challenging. Then there was the finale with the ultra-fast passages, which I played as Note on the Downbeat - mush - Note on the Middle Beat - mush - Note on the Downbeat - all played really fast while accelerating to the final presto section. But all in all I was pretty happy with the way I played.
Sunday, September 27, 2009
My Dungey Cello's Most Excellent Adventure
Christopher delivered my cello last night! It has a new color and is all tuned up.
It looks beautiful! It sounds better than ever
My cello had the most excellent adventure on its way home. Chris stopped in Boise and gave a talk at a cello workshop on his way. He also lent my cello to Zuill Bailey, who played my cello (!), another one of Chris's cellos, and his Gofriller cello during the master class he led there. Chris shot video clips of Zuill Bailey playing all of the cellos and it was so exciting to watch him play my cello! I wish I could have seen the entire class plus listened to him perform the Elgar.
It was cool to hear the different cellos - the other Dungey cello was built in 2005 and it has a much more developed sound. Mine is still so new that while it sounds wonderful, it still sounds like a new cello. And wouldn't it be nice if I could play better...
It looks beautiful! It sounds better than ever
My cello had the most excellent adventure on its way home. Chris stopped in Boise and gave a talk at a cello workshop on his way. He also lent my cello to Zuill Bailey, who played my cello (!), another one of Chris's cellos, and his Gofriller cello during the master class he led there. Chris shot video clips of Zuill Bailey playing all of the cellos and it was so exciting to watch him play my cello! I wish I could have seen the entire class plus listened to him perform the Elgar.
It was cool to hear the different cellos - the other Dungey cello was built in 2005 and it has a much more developed sound. Mine is still so new that while it sounds wonderful, it still sounds like a new cello. And wouldn't it be nice if I could play better...
Thursday, September 17, 2009
Funny Cat Video!
Ok, not a cello post, but I had to share this video. I've watched it 3 times and I've laughed throughout the entire video each time.
Dumb Cat Can't Figure Out How To Drink - Watch more Funny Videos
Dumb Cat Can't Figure Out How To Drink - Watch more Funny Videos
Monday, September 7, 2009
Cello Run!
We just got back from Pocatello, on a trip to bring my Dungey cello back to cellomaker Christopher Dungey to get its last coat of varnish and a general checkup and tuning. I've had it for 6 months. My Dungey cello will be with Chris for at least a few weeks and will change from a yellow/brown color to more of a reddish brown. Chris said that over the summer he had 10 of his cellos back and that it was amazing to have so many at the same time. He still had 3 of his older cellos in the shop and I had fun seeing how his cellos have evolved over time. The model cello I have is his latest and greatest and will continue to sound better as it ages.
As an extra treat, he had some David Russell Young bows that I tried out. I'm ready for a new bow, and Chris just happened to see David Young not too long ago and had some of his new bows. It was unreal to hear the difference in sound between my current bow (unchanged since my last cello because I wanted to get used to my Dungey cello before buying a new bow) and the David Young bow. Chris kept saying, wait until I adjust the cello and you will be totally blown away by the sound! Even though the cello still sounds pretty great!
He has had the student cello that I had previously for the last 6 months; he took it home with him when he delivered my Dungey cello in February. We had agreed that he'd return it when I brought back the Dungey cello so that I'd have a cello to play. Chris replaned the fingerboard, changed the strings to a different set to get a better sound, replaced the soundpost, and repaired some varnish nicks and scratches. My student cello now sounds really good but I sure miss my Dungey cello.
Our other treat for the weekend was hanging out with Chris and his family, and my brother-in-law and sister-in-law. My husband's brother is married to Chris's sister, so Chris is family. How great is that, being related to such a talented cello maker? I have learned so much about cellos from Chris. Plus he gives me a lesson each time I see him :-)
As an extra treat, he had some David Russell Young bows that I tried out. I'm ready for a new bow, and Chris just happened to see David Young not too long ago and had some of his new bows. It was unreal to hear the difference in sound between my current bow (unchanged since my last cello because I wanted to get used to my Dungey cello before buying a new bow) and the David Young bow. Chris kept saying, wait until I adjust the cello and you will be totally blown away by the sound! Even though the cello still sounds pretty great!
He has had the student cello that I had previously for the last 6 months; he took it home with him when he delivered my Dungey cello in February. We had agreed that he'd return it when I brought back the Dungey cello so that I'd have a cello to play. Chris replaned the fingerboard, changed the strings to a different set to get a better sound, replaced the soundpost, and repaired some varnish nicks and scratches. My student cello now sounds really good but I sure miss my Dungey cello.
Our other treat for the weekend was hanging out with Chris and his family, and my brother-in-law and sister-in-law. My husband's brother is married to Chris's sister, so Chris is family. How great is that, being related to such a talented cello maker? I have learned so much about cellos from Chris. Plus he gives me a lesson each time I see him :-)
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