Last night I told my teacher about the 2nd rehearsal we had playing the Popper Requiem with the orchestra. We were all louder, and hopefully can get even louder. I felt like my volume compromised my tone, and my vibrato pretty much disappeared. For a long time I've had a problem with vibrato that I've known about - that I'll start a long note with vibrato, but then I'll stop doing vibrato before the note ends. Plus I haven't been happy with my vibrato anyway--it's always sounded a little tight and felt very uncomfortable. It's that pat your head and rub your tummy thing, I think. Now seemed like the perfect time to start fixing my vibrato problems!
So, we went back to something he had told me a while ago but finally clicked. Funny how many times this has happened during my cello journey (like we joke...everything we need to know about playing the cello is in Suzuki Book 1). He told me to concentrate on doing the vibrato from my arm, not my fingers, and to remember to keep my bow arm relaxed (as I've been working on for the last few weeks to get my volume up). Shake shake shake from the arm! And it worked...I could hear my tone warming up, and for the first time my vibrato looked, sounded, and felt pretty good.
I played the Popper during my lesson concentrating on vibrato...my vibrato got better but my bowing and timing went haywire...so I'm going to spend time this week trying to pull things back together and concentrate on shaking....from the arm.
meaning... practicing my F# minor scale with lots of vibrato. Today I started doing a shortened version of my shifting exercise but practicing doing a lot of vibrato as soon as I land the shifts...and everything I'm playing this week gets a lot of vibrato whether it requires it or not. I need to burn that shaking feeling in all sorts of positions on the fingerboard into my brain....the next thing that I want to become automatic!
Saturday, February 16, 2008
Sunday, February 10, 2008
Random Collection of Happy Things from this Week
--My mother has found a new place to live. She has been in her apartment for about 2 years, after selling the house she and my dad bought not long after they were married and where she lived for 50 years. When we were visiting over Christmas, we had the conversation with her about moving to a place with independent and assisted living...it was much easier than I thought it would be. I'm thankful that she's in good health, but cleaning, cooking, and climbing stairs is getting to be quite difficult for her. She started looking a few weeks ago, and found a place that looks like it will work out very well for her. What a relief. Once she gets dates, etc. we will have to figure out how to get down there to help her pack and move. I'm sure it won't be as traumatic as cleaning through 50 years of things, but I know it will be stressful for her nonetheless.
--A good Popper rehearsal today! I was playing much louder than before and the others liked it and wanted me to play even louder. I also got some tips on how to play my solo parts; need to practice what I learned today. Cello1 told us some stories of her cello journey; including having to overcome her grandfather's objection to girls putting a cello between their legs to some of the national-level competitions she won.
--A really fun end of Saturday chamber group. Piano trios again, with one cellist who doesn't come very frequently. She stayed afterwards so that we could play Scottish and Irish tunes from Renata Bratt's Celtic Grooves for 2 cellos. What fun!!! We alternated playing rhythm and melody on each tune. She started telling me about some of the groups in the area and promised to send links so I could figure out if I could actually make it to a session. She also told me about a week she spent in Canada, on a train, that was a musician's week - Alastair Fraser was on it and she said there were jam sessions in every car every night. Now that sounded like an amazing week...
--A good Popper rehearsal today! I was playing much louder than before and the others liked it and wanted me to play even louder. I also got some tips on how to play my solo parts; need to practice what I learned today. Cello1 told us some stories of her cello journey; including having to overcome her grandfather's objection to girls putting a cello between their legs to some of the national-level competitions she won.
--A really fun end of Saturday chamber group. Piano trios again, with one cellist who doesn't come very frequently. She stayed afterwards so that we could play Scottish and Irish tunes from Renata Bratt's Celtic Grooves for 2 cellos. What fun!!! We alternated playing rhythm and melody on each tune. She started telling me about some of the groups in the area and promised to send links so I could figure out if I could actually make it to a session. She also told me about a week she spent in Canada, on a train, that was a musician's week - Alastair Fraser was on it and she said there were jam sessions in every car every night. Now that sounded like an amazing week...
Saturday, February 2, 2008
Louder, part 2
I've been spending this week's practice concentrating on playing louder. At my lesson last night I told my teacher that while I was playing louder, I didn't feel very relaxed. So we spent the lesson working on loud, fast, and relaxed. I'm just playing the F# minor scale these days because of the Popper, so he had my play the scale progressively faster, but using a lot of bow. One point of this was to get me using lots of bow, be loud, but not worry about intonation. The other task was to use more bow at a higher volume and faster than my current comfort level. Also, he wanted me to disassociate my bowing from my right hand. It was actually harder at some of the middle speeds because I was still trying to hit the intonation. Oh, and I was supposed to be relaxed too. Oh, yes, use lots of bow on a consistent basis. Once it got too fast for me to hit the notes and I concentrated on my bowing, my tone actually seemed to get better. We also noticed that on the up bows I don't bite into the string enough when I switch directions so the bow has a tendency to slide across the string - something to work on fixing. Maybe one of these years I'll actually get notes, speed, and tone all at once!
The next exercise was even more useful. We pulled out the Popper and he had me play a passage. Then he said, ok, now we're going to have a conversation. Talk to me while you're playing; don't worry too much about rhythm and notes. What was amazing was that my right arm immediately relaxed, and my tone sounded much better. The parts that I know very well sounded fine, and if there was a part I didn't know very well, our conversation suffered (now it wasn't a deep philosophical discussion, just talking about my day) while my mind tried to think about what I was playing. After that I played through the whole Popper piece with that same relaxed feeling, and while I muffed up some sections, from a tonal standpoint it sounded the best that I've ever played it!
Now if I can only be that relaxed all of the time! I played this morning with our violinist, just the 2 of us, and we played through 3 B. Romberg violin/cello duets. It was really fun. Then she switched to the piano and we played through the Schubert Arpeggione sonata. I am planning to work on it next...it's one of my favorite pieces. My loud exercises are at least working...I can now easily play at a volume level over the piano (a year ago I couldn't play over the piano) but I know I wasn't relaxed enough since my right hand was sore after playing today. Loud AND relaxed....Loud AND relaxed....Loud AND relaxed!
The next exercise was even more useful. We pulled out the Popper and he had me play a passage. Then he said, ok, now we're going to have a conversation. Talk to me while you're playing; don't worry too much about rhythm and notes. What was amazing was that my right arm immediately relaxed, and my tone sounded much better. The parts that I know very well sounded fine, and if there was a part I didn't know very well, our conversation suffered (now it wasn't a deep philosophical discussion, just talking about my day) while my mind tried to think about what I was playing. After that I played through the whole Popper piece with that same relaxed feeling, and while I muffed up some sections, from a tonal standpoint it sounded the best that I've ever played it!
Now if I can only be that relaxed all of the time! I played this morning with our violinist, just the 2 of us, and we played through 3 B. Romberg violin/cello duets. It was really fun. Then she switched to the piano and we played through the Schubert Arpeggione sonata. I am planning to work on it next...it's one of my favorite pieces. My loud exercises are at least working...I can now easily play at a volume level over the piano (a year ago I couldn't play over the piano) but I know I wasn't relaxed enough since my right hand was sore after playing today. Loud AND relaxed....Loud AND relaxed....Loud AND relaxed!
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