Holiday concert report

we had 2 holiday concerts last week, playing the same program. The second concert was at the Seattle Center. We were supposed to play there last year but our concert was canceled because of the snow (how quickly we forget...last year at this time we were on our way to 3 feet of snow at our house)

We had 3 weeks of rehearsals prior to the concert. Most of the pieces we had played during previous seasons, so getting ready was pretty straightforward for most of us. I thought we played better during the second concert. It was an all-holiday music concert, including favorites like "Have Yourself a Merry Christmas" "Sleigh Ride" and other arrangements of holiday music. My husband's favorite was the arrangement of Channukah pieces we played, with a great viola solo played by our principal violist.

Now we're off until the new year! Happy holidays everyone!

Breakthrough

I've been taking cello lessons for 6 years now, and it still surprises me that progress is non-linear. I'll notice little to no improvement, then suddenly one day, I'll have a breakthrough.

It was really exciting at my last lesson to have one of those 'aha!' moments when I could finally do something my teacher has been telling me about for years (literally!). I guess I was finally physically ready, and prepared enough for that breakthrough.

I finally could rotate my hand, wrist, and arm to get consistent bow weight on the string all the way to the tip without straining anything (particularly my thumb, which has been sore). I could feel and hear the difference in the richness of tone when I got it right. Like any new breakthough, I couldn't get it right consistently, but when I did I could feel a lot more control over the connection between the bow and the string.

It doesn't seem like much, but it sure has taken a long time to get to this point!

Concert report!

We played a concert last weekend, and immediately after it was over I left for the airport and have not had any free time since I returned yesterday. We leave again tomorrow and I'm taking a break from work now...

We played
Magnard Hymn a la Justice (about Dreyfus case)
Verdi Overture to Nabucco
Elgar Enigma Variations

I thought that the orchestra played very well. Even 2 weeks prior to the concert I wasn't sure that we would be ready. There were a few rough spots in the Elgar but we managed to play well.

This was a tough program. The Magnard and Elgar are very challenging pieces. The Magnard had some very high passages in B major where the cellos had the lead. The Elgar has such beautiful writing for the cellos with very challenging rhythms. One variation was all about the cellos and was apparently an inspiration for his cello concerto. It was lovely but not easy to play, one of the themes that repeats all the time is a set of descending seventh intervals, making getting the intonation right challenging. Then there was the finale with the ultra-fast passages, which I played as Note on the Downbeat - mush - Note on the Middle Beat - mush - Note on the Downbeat - all played really fast while accelerating to the final presto section. But all in all I was pretty happy with the way I played.

My Dungey Cello's Most Excellent Adventure

Christopher delivered my cello last night! It has a new color and is all tuned up.



It looks beautiful! It sounds better than ever

My cello had the most excellent adventure on its way home. Chris stopped in Boise and gave a talk at a cello workshop on his way. He also lent my cello to Zuill Bailey, who played my cello (!), another one of Chris's cellos, and his Gofriller cello during the master class he led there. Chris shot video clips of Zuill Bailey playing all of the cellos and it was so exciting to watch him play my cello! I wish I could have seen the entire class plus listened to him perform the Elgar.

It was cool to hear the different cellos - the other Dungey cello was built in 2005 and it has a much more developed sound. Mine is still so new that while it sounds wonderful, it still sounds like a new cello. And wouldn't it be nice if I could play better...

Funny Cat Video!

Ok, not a cello post, but I had to share this video. I've watched it 3 times and I've laughed throughout the entire video each time.



Dumb Cat Can't Figure Out How To Drink - Watch more Funny Videos

Cello Run!

We just got back from Pocatello, on a trip to bring my Dungey cello back to cellomaker Christopher Dungey to get its last coat of varnish and a general checkup and tuning. I've had it for 6 months. My Dungey cello will be with Chris for at least a few weeks and will change from a yellow/brown color to more of a reddish brown. Chris said that over the summer he had 10 of his cellos back and that it was amazing to have so many at the same time. He still had 3 of his older cellos in the shop and I had fun seeing how his cellos have evolved over time. The model cello I have is his latest and greatest and will continue to sound better as it ages.

As an extra treat, he had some David Russell Young bows that I tried out. I'm ready for a new bow, and Chris just happened to see David Young not too long ago and had some of his new bows. It was unreal to hear the difference in sound between my current bow (unchanged since my last cello because I wanted to get used to my Dungey cello before buying a new bow) and the David Young bow. Chris kept saying, wait until I adjust the cello and you will be totally blown away by the sound! Even though the cello still sounds pretty great!

He has had the student cello that I had previously for the last 6 months; he took it home with him when he delivered my Dungey cello in February. We had agreed that he'd return it when I brought back the Dungey cello so that I'd have a cello to play. Chris replaned the fingerboard, changed the strings to a different set to get a better sound, replaced the soundpost, and repaired some varnish nicks and scratches. My student cello now sounds really good but I sure miss my Dungey cello.

Our other treat for the weekend was hanging out with Chris and his family, and my brother-in-law and sister-in-law. My husband's brother is married to Chris's sister, so Chris is family. How great is that, being related to such a talented cello maker? I have learned so much about cellos from Chris. Plus he gives me a lesson each time I see him :-)

gig report

it's been a while since I posted!

Today we had a gig, and played 2 movements from the Brahms Sextet No. 1. I was very happy with the way I played today; all of the practicing to get ready for today was worth it. More vibrato would have been nice, but I hope that is just a matter of time. What made me happy is that I'm starting to be able to control the bow more and am better able to control phrasing than previously. We also played "Turkey Creek" and other arrangements (really fun!) and a Kummer duet for 2 cellos. My husband said that the cello duet was his favorite piece.

Last week I was invited to a cello festival - we had 10 cellos playing together! It was so much fun. A number of us from the cello section in orchestra got invited to join in with a cello ensemble. They have enough cellists that composers have sent them new music to play. We played some music written for 8 cellos, quite a few cello quartet arrangements, and just plain had a great time. I hope we do that again soon.

On the injury front, I am slowly getting better on all fronts. After a month of swimming slowly and concentrating on rotating, one day I just knew I was rotating correctly. So I've been slowly ramping up effort in the pool, trying to keep form at all times, and slowing down and concentrating on form whenever my form starts slipping.

My thumb still hurts, but not as much as previously. I've been working on bow exercises and working on flexibility of my hand. After looking at it my teacher gave me some tips and some exercises to work on. I think it's going to be another slow process before I correct that problem.

We are headed to Pocatello this week - I'm bringing my cello back to Christopher Dungey to get another coat of varnish and to have him look at it after 6 months. It is developing a better sound. He will return my other cello to me so that I have a cello to play while he is working on my new one. My brother-in-law and sister-in-law are driving from Colorado and meeting us in Pocatello and we are really looking forward to seeing them!

Slowing Down

I've been plagued by a number of injuries over the past month, which has required me to slow down. First is the herniated disk which is causing pain and tingling in my left hand, arm, shoulder, and neck. That hasn't really affected my cello playing but waking up with tingling in my fingers is not very much fun.

The second injury is a very sore right thumb. I think I was straining it with my bow hand, so over the past few weeks I've been playing much more lightly and I've modified my bow grip to relax my whole hand more, use my arm more for weight, and just played more lightly. I've also decreased my practice time (which drives me nuts), and have been icing my thumb after playing. It is slowly getting better, and has been a good reason to spend time working on vibrato.

The third injury is a pulled shoulder muscle from swimming. My husband the former swim coach tells me it's because I don't rotate enough. So the past week I've backed off from swimming very hard, focused on rotating, and have basically driven myself nuts taking it easy in the pool. I've forced myself to swim behind people I normally swim in front of, and to stay back and swim slowly behind people who I know are slower than me. Although I've had my share of amusement making them work really hard while I've been cruising at a slower speed than normal (they all know that I'm not working hard while they're busting their guts to stay with me) it's not been very much fun to swim slowly.

It's been really hard to pull back and take it easy, on my neck/arm/fingers, thumb, and shoulder. I want to accelerate the healing and the irony is that I need to change what I'm doing and rest each injury in order to let it heal.

My vibrato practice has been mostly practicing controlling the wobble to a metronome, very slowly. 2 wobbles per beat. 3 wobbles per beat. 4 wobbles per beat. It's very hard to keep consistent. I've also added trying to keep the wobbles steady while changing bow speed, and while shifting. It's been instructive to see where my vibrato falls apart, and to slow down to get it consistent and right. And, it's been driving me nuts go to slow. Unfortunately I've learned that in order to master a skill it's necessary to slow down before speeding up. So a few more weeks of 2 wobbles per beat, then 3 wobbles per beat,....

Concert Report!

Both the studio day and the orchestra concert were fabulous!

Yesterday was our concert. Here'a link to a video of excerpts from 3 selections - Jurassic Park, Hoedown from Rodeo, and the 1812 Overture:



I'm sitting in chair #2, so you can see me playing! I was amazed that the celli look really coordinated (also I was amazed that I look really synchronized with our principal, who is an excellent cellist)

We played:
Jurassic Park
Grondahl Trombone concerto (has the distinction of being 1 of 2 Romantic trombone concerti; think pirates and battles and love songs and you've got it)
American Salute (was an arrangement of "when Johnny comes marching home" written for radio broadcast)
Rodeo (Buckaroo Holiday, Saturday Night Waltz, Corral Nocturne, and Hoedown)
1812 Overture
Stars and Stripes Forever

I think our concert last week, on Monday, was better (with the exception of Hoedown), but the venue, outdoors at the Ballard Locks, is fabulous and we love playing there.

Saturday, the day I spent in the studio recording music written by students of the Pacific Northwest Film Scoring Program. The films are created by students, who get orchestral music composed for their film, a win for both the filmmaker and the composers.

It was a long and tiring day. We started at 10am, finished at 5:15pm, with a 10 minute break every hour and a 1 hour break for lunch. By the last hour it was really hard to play well. We rehearsed less and recorded right away. The day is run like it would be if we were professionals (although Hummie said that the food, provided by the students, was an exception). We didn't see the music until we showed up. We all had headphones so that we could hear the click track (a smart metronome, synchronized to the film so that we would play the required tempo perfectly, even when it varied during a piece). We rehearsed whatever it was that we were playing a few times (sometimes just once) and then recorded 2 good cuts. Then we moved on to the next section. Hummie could see the film while he was conducting, but we couldn't see anything. He did tell us what each film was about, so that we would play with the right sound. One movie had an exploding monster in it, so he asked the winds and brass to make an exploding sound at the end of one piece. I think we recorded music for 3 films on Saturday. Hummie said that students in the program have now scored 93 films, and that 34 students from the program have gone on to score feature films. Pretty impressive.

Into the Studio!

Tomorrow I'll spend the day in the recording studio, playing film scores written by students of the Pacific Northwest Film Scoring Program. I wonder what music we'll get. Two years ago we recorded the music to this charming animated short, 2 Old Chicks.



The video was created by students in the animation program at the University of Washington. The original orchestral music for the video was composed by Steve Brush, Doris Bartha and JR Rhodes as part of the requirements to complete the Pacific Northwest Film Scoring Program. Hummie Mann, composer and the founder of the program, conducted.

Sight Reading day

During our chamber group today, we had an unusual configuration of players. We had 1 violinist, 1 violinist or pianist, 1 cellist, and me (cello or piano). So I volunteered to play the viola part on my cello, so that we could play piano quartets or string quartets. I suppose we could have doubled parts and played piano trios, but I like having my own part for chamber music.

Everyone was gracious enough to play easier pieces than we normally play, at slower speeds than normal. We played through Mendelssohn's first piano quartet (op.1 - wonder how old he was when he wrote it..but it already sounds like Mendelssohn), and 2 early Schubert string quartets, D87 and D74. I still had trouble sight reading the viola clef, managing to play maybe 50% of the notes correctly (repetition was a good thing; gave me time to figure out the notes!). I would get settled in and be able to read (sort of), and then something would flip in my mind and I would start thinking in another clef, tenor or treble and totally screw up. I tried to fake it by matching the harmonies or at least playing something on the downbeat or tried to sing my part. It was a workout! Tomorrow I will be able to play a cello part, and be a cello (thank goodness!)

My lesson yesterday was good; I showed my teacher the exercise I made up to try to learn how to change bow speeds when I change bow direction while keeping the tone consistent. He really liked it and I'm sure he'll use it or something similar with his other students. Inconsistency of tone and poor bow control when switching directions is something that he's pointed out in my playing, so I've been playing scales and making up exercises to try to produce a nice sounding tone and consistent volume when I vary the speed and pressure of the bow. Next up is really learning how to control the volume and tone so I can really do a good job of crescendos and decrescendos.

He's started me working on the Lee op31 exercises, and had me work on a relaxed legato bow and making eighth notes really even. It felt like moments of panic interspersed with calm. It amazes me that producing an even sound requires such uneven effort. Then I played the 3rd piece from the Hindemith Drei Liechte Stucke. I really like them. He has programmed the piano part into his computer, so I've had the challenge of playing well with the accompaniment. On these pieces it is not easy because the rhythms are offset and it's easy to screw up.

Practice Goals for June

One of the nice things about being a member of CelloBloggers is that one of the sub-groups is the Practice Club. There are 13 members and we are keeping each other honest by sharing our practice goals and reporting our progress. Here are my goals for June, which as it's more than halfway over, are a little late (but hopefully doable!)

--being ready for the last concerts of the season for orchestra. That means panic practicing to be ready for the first concert on Monday. We have a hard program; the 1812 overture, Copeland's Rodeo (rhythms are really hard on this!), a really neat trombone concerto, and some other pops and patriotic music.

--improving my ability to get a consistent and even sound when I'm changing bow direction. Today my husband said that for the first time he heard my play the longest sustained sound he's ever heard...meaning that he couldn't tell when I changed the bow direction! Now if I could only do that consistently and reliably...that's the goal

--and for consistency, practicing every day that I'm home. I'm traveling 3 out of 4 weeks this month, but have managed to practice all except for one day when I was at home. My excuse for the day that I missed was that it was the evening I arrived home from a trip and I had a pile of work to finish before the next day.

I forgot to add this last goal to my post, and it's an important one, and that's being very careful to be very relaxed and in good form with very little tension while playing. For the past few weeks I've been suffering from pain in my neck and having problems with numbness, pain, and tingling in my left shoulder, arm, hand, and fingers. My doctor sent me to get an MRI done and the MRI showed a bone spur and a disk protrusion in my neck, along with degeneration in the disk. I think this is the long term effect from a rear-end collision I was in 6 years ago. The pain started a few weeks ago but so far I've tried to keep it from interfering with my practicing. But I am so aware now of whether I have extra tension in my neck and arm...and have actively sought to get rid of that. I want to be able to keep playing the cello for a long, long time!

Shopping in the Asian Grocery Store

you wouldn't want to cook with fake fungus




and I'm not sure what this is, much less how it's prepared for consumption

The Gap

Recently I read a book by Glenn Kurtz, Practicing: A Musician's Return to Music. It is about his return to playing classical guitar after a long hiatus.

One thing he wrote struck me,
"I have to hear the sounds before I make them, and I have to let the sounds be as they are. Then I have to hear the difference between what I have in mind and what comes from the strings."

That really rang true to me. At my last lesson, my teacher and I talked about thoughtful and purposeful practicing, that is, changing what I am doing in order to improve my playing. Listening and hearing the gap between what I hear in my head and what I play, figuring out what is causing the gap, and changing something to bridge the gap is the essence of playing.

Great fun at the gig!

It was a lot of fun on Sunday, playing for our friends in our fearless leader's lab. The acoustics were wonderful; everyone sounded great, and we had a lot of fun.

we played the Mendelssohn octet - the best we've every played it. The funny thing about performances was that I had trouble where I've never messed up before, and I nailed some of the really hard passages. That was true of everyone else too. There were parts that sounded really amazing.

The program was
Handel - Entrance to the Queen of Sheba
Mendelssohn - Octet
Vivaldi - flute concerto
a Telemann violin duet
Rabinowitz - 4 pieces for string quartet
Vanhall - flute + string quartet
Vivaldi - Summer/Winter

I played the keyboard to accompany our fearless leader playing the violin for the last Vivaldi piece. He sounded really great. I couldn't figure out why I would lose him, but yesterday he told me that he had dropped beats here and there and messed with the tempo and wasn't sure how I managed to stay with him. It helped that I could read his part while I was playing. I had fun playing and improvising around what he was playing, but for a while I couldn't figure out why I wasn't staying with him. We did start and end together (that's always a victory!) and I certainly had fun playing (liked the challenge of figuring out what to improvise).

Exhausted

It has been a really busy week, and not good for cello playing.

Our group is getting ready to perform on May 17th, and we had dress rehearsal scheduled for Friday night. One of the pieces we're performing is the Mendelssohn Octet. Given everyone's schedules, we've rarely had all 8 of us together at the same time. We've practiced with parts of the group, but every person plays am important part.

I was really tired after traveling this week. I left Sunday and came home on Friday. It was for work, and was pretty stressful, with long hours every day. My playing last night suffered from lack of practice and exhaustion. At least I have a week to practice the parts that have been giving me trouble all along.

I was also bummed yesterday to find out that I have to start commuting to headquarters again. It's been so nice this year to be home for longer periods of time. The silver lining to budget cuts was that my work travel had been severely curtailed. Yesterday I found out that I have to start commuting again; we negotiated every other week, 3 or 4 days a week. Previously I was commuting every week, 2 to 3 days a week. Now I know I shouldn't be whining so much about this; I love my job and am thankful that I have one. But still, traveling for work is not at all like traveling for fun, and the frequency was exhausting. Plus it impacts cello practice time.

When I was commuting regularly I had rented a cello ( I am fortunate to be able to stay with my brother when I'm in the Bay Area). One of the reasons why I accelerated getting my new cello was so that I could have a decent cello in the Bay Area. Then I stopped traveling as much and the urgency to have 2 cellos disappeared. But I still only have one cello. My other cello is in Pocatello with Chris..he is doing some work on it. The plan is take my new one to him in September for a check up and another coat of varnish. He will return my former cello to me then, so I have a cello while he works on the new one. Now I'll have to decide whether to rent a cello in the Bay Area again or just not practice while I'm there.

Exhaling

For the past few weeks during my swim workout I have been concentrating on exhaling completely. It sounds rather silly to think about breathing, but it is amazing how much it has helped me feel strong during some hard swims. Yesterday one of our sets was 6 100 IM's. In the past I would have cheated on the butterfly, maybe swimming half of the length fly and finish with freestyle, but with my new mantra of breathing out (if I exhale loudly when my face is in the water no one can hear it!) I was able to do all 6 IM's with the 25 fly and even felt reasonably good going into the backstroke. wow.

So that got me thinking about what simple-sounding thing I could do during cello practice. How could I change a practice approach? The 'aha!' moment I had was thinking about feeling the bow against the string. I've been worrying about the flexibility of my bow hand, drawing the bow straight, and a whole host of other things. During the past couple of days I've been concentrating on feeling the bow - feeling my bow catch and move the string when I change bow direction, feeling and controlling string pressure against the bow during long slow bows, feeling the string when I change bow speed. The other issues are probably still there, but I've already noticed that my tone is much steadier and consistent. another wow! why didn't I think of that before?


Today we had piano trios and I got to be on the cello instead of the piano. Yay! We played the Mendelssohn D minor trio, the Schubert Eb major trio (love the cello solo in the slow movement!), Beethoven Piano Trio #5 (the 'Ghost'), and Fanny Mendelssohn's Piano trio. I am really happy with my cello. It is beginning to open up in sound. It was really fun to crank it up! after we were all done, I even got to try to play the Arpeggione sonata. There are sections that I can play now that I've never been able to play, and it is so nice to have a cello that can handle the high notes...really easy to play over the piano. it was so much fun today!

the cello is not a violin

but I had fun today anyway...we started practice in my Sunday group and had 4 people - violin, viola, and 2 cellos, and a quartet that we're planning to play at our next gig. I volunteered to try playing the violin II part since my teacher has wanted me to practice playing up high on the cello. It was a blast pretending to be a violin! My cello sounds wonderful - clear and full even really really high up (got up to the f 2 octaves above middle c - high for violins too!) and it blended well with the others.

then I got back to being a cello - we're rehearsing the Mendelssohn Octet - really fun to play and very challenging - we have just over a month left to get it ready for our next gig...

Concert report

This week we had our spring concerts. The first was on Monday, and the second was yesterday (Saturday)

I was happy on Monday that I didn't make any major gaffes. I missed the 2 rehearsals prior to the concert because I was traveling, so I was very nervous before Monday's concert.

We played
Butterworth - Shropshire Lad
Holst - Suite No. 2
Vaughn Williams - Pastoral Symphony

The music was beautiful. Our conductor gave a short talk about the Vaughn Williams piece and we played short excerpts from it prior to playing the entire symphony. He wanted the audience to listen for some of the sections, such as the horses and mules in the 3rd movement (love the donkey sounds!), the heroic theme from the winds, and the sound of the bugle...

I thought we played better on Monday, but our conductor thought that Saturday was better, with the exception of the last movement of the Vaughn Williams. The 2nd concert was in a different place than where we rehearse, so the sound balance was very different. I couldn't hear myself very well; couldn't hear my stand partner at all; could hear things I'd never heard before; and couldn't hear sections I was used to hearing in rehearsal. It really threw me off. There was one place where the cellos had a exposed note and I saw our conductor wince when I hit the wrong note (but quickly fixed it). Ouch. Still, it was fun!

Lynn Harrell playing his Dungey cello

Below are videos showing Lynn Harrell playing his Dungey cello - the Mendelssohn D minor piano trio, with Anne-Sophie Mutter and Andre Previn

movement 1


movement 2


movement 3



movement 4

New cello!

This has taken me a long time, mostly because I had to make time to take pictures. The cello is astounding. I can't think of enough superlatives to describe it. Every person who has played it has the same reaction - utter amazement and absolute pleasure.

It is beautiful to look at and even more beautiful to listen to. The C-string has a clarity and power that I've never heard before from a cello. The upper registers are very pure and powerful. The sound is even throughout all of the strings.






Christopher Dungey made the cello. He recently made a cello for Lynn Harrell, who is performing regularly with his Dungey cello.

My cello is made from the same pattern as Lynn Harrell's Dungey cello. The body is the same as his 1720 Montagnana cello. It has a narrow top side to side and is has a much larger curve in the body than other cellos I have seen. The smaller size on top is much more comfortable to play, especially on the A string near the tip of the bow.

I feel like I've won the lottery of cellos, but, on the other hand, I put myself on Chris's waiting list over 4 years ago. It feels like investing in a new artist before the artist becomes famous. I was expecting a wonderful cello from Chris, but I think he has really surpassed himself with this cello and I feel pretty lucky to be the owner of it.

It's Almost Here!

My new cello!!! will be delivered on Friday. It's been over a year since I started the process of talking about what I want, choosing the wood, ...
I am so excited about it

A year ago I don't think I was ready for a new cello, but now I feel like I'm much closer to being ready for my next cello...

Fun Gig Today!

Today at work we had our holiday potluck. It was supposed to be in December, but got cancelled because of the snowstorms in Seattle over the holidays. I had volunteered to play cello with a co-worker who plays the flute, and we had picked out Christmas music. Somehow Christmas music in January didn't seem appropriate. When the new date of the potluck got announced, we started looking for new music.

We played a Beethoven duet originally written for clarinet and bassoon, and a selection of "Rustic Airs and Dances" by Febonio. I think we played some of the pieces much better in the 2 rehearsals we had. Friday, less than a week ago, was the first time I saw the Febonio pieces. Needless to say I had a panic practice session last night. I think what threw me off today was that I wasn't seated where I could see the flautist very easily, so it was hard to stay together. Oh well. A lesson learned. Everyone who listened really liked what we played. One of the things I've learned through lots of performing is that most mistakes are not noticeable. It was a lot of fun to play!

Busy!

It's been a busy week - got in some extra practice time because I actually had Martin Luther King Jr. day off as a holiday. Trying to fit in everything I want to practice is tough.

We had our first orchestra practice for the new year! The program is very nice - Holst 2nd Suite; Butterworth "A Shropshire Lad", and Vaughan Williams Pastoral Symphony. I was really confused about which part I was playing - the cellos go divisi a lot and sometimes it was by stand and sometimes it was inside/outside...so a lot of the time I wasn't sure if I was playing the correct part.

This Wednesday I'm playing a gig at work with a flautist. We were supposed to play at the office holiday party, but the party got postponed because of all of the snow Seattle got around Christmas. We had to find some new music to play because Christmas carols in January didn't really seem like a good idea. So Friday we played some music together for the first time, to pick what we'll play on Wednesday. We're going to play some dances from Febonio op29 "Rustic Airs and Dances" (I've never heard of Febonio before!), and a Beethoven duet that was originally written for clarinet and bassoon. fortunately, today I was able to run through everything with the violinist in my chamber group...not much time to get it ready for Wednesday.

Today's chamber group was a duet for a while, then a string trio. The string trio we read was a keeper! It was 3 string trios by Hyacinthe Jadin (a male, not a female). We were pretty excited about every movement in every trio!

and last but not least...my lessons continue and we just started playing a Kummer duet op156, duo #4 - we played through all of the movements at my lesson on Friday and hopefully soon will be able to play it at speed. I have my list of things that I'm working on..
--loosening my wrist while bowing, right now really working on dotted rhythms and a quick snap of the wrist and getting the short note to articulate
--detached bowing (on the string and off the string)
--arpeggios: this week need to work on nailing the shift down from the root to the fifth of the chord when descending)
--shifting exercise from Sevecik op8
--trill exercise (based on Cossman)
--vibrato
--scales: work on controlling bow pressure so that sound volume stays consistent (my teacher pointed out the it looked like I was easing up at the tip and at the frog...and hence producing inconsistent volume/tone)

oh..and don't forget to have fun playing...!

Logging My Practice Time

Recently I decided to throw away my concerns about privacy and joined Facebook. One of my friends is my cello teacher. Last year he logged an average of almost 4 hours a day of practice time, a really impressive number, which I found out about in one of his wall posts. I say almost 4 hours because he was so close...but missed it by 20 seconds a day....he was bummed. What got me thinking about tracking how much I practice was listening to him talk about how he logs his practice time, what counts as practice time, and how he finds the time to practice.

For nearly 20 years I've kept a training log of my workouts, which now that I'm not training for any sort of competition, seems rather useless. But then again, I can see when I miss a day, or 2, and the log screams at me when there is an empty spot or an notation of "rest day - no time" (hopefully because it was a travel day...really no way to make the time).

So I've started tracking my cello practice time, noting the time in my training log. My goal is to average an hour a day over the year. That seems to be a realistic amount of time that I can spend, balancing work, family, exercise, and other life demands.

I've read other cello-related blogs and seen that many of you also log what you're doing as well as how long. I can't figure out why I have that discipline for my exercise log but don't really want to track what I'm doing during my practice time. I guess that I feel that the proof of how well I'm spending my practice time is measured by what my playing sounds like. How do you measure "producing a better quality sound"? So while I figure that out I'll just track how much time I spend practicing...all the while wishing that I could figure out how to allocate more time to playing the cello.

chamber music!

my saturday group finally met, after more than a month off. The holidays, the weather, travel, all conspired against us. We had 5 of us today! We started with violin/cello - a Telemann piece, very nice. When our violist showed up we started a Mozart Divertmento. Then our other cellist showed up and she and I doubled on the Mozart. When our 2nd violinist showed up we switched to string quintets. I got another shot at the Schubert...one of my all-time favorite pieces...it's so much fun to play. We finished with a Taneev string quintet (2 violins, viola, 2 cellos...there is Taneev string quintet with 2 violas...but we never seem to have 2 violas) That one was deemed worthy of another time reading though it.

very fun and sure nice to play with everyone again!

and really good news ... I got pictures of my new cello ... hope I will get it in a month or so....

Fun at the Last Gig

We celebrated the new year with a gig at our other cellist's house. It was fun - people listening, drinking, eating, and having a good time. We had a good time playing. You can see me in the back but it's hard to see our other cellist.





We played a number of celtic tunes, our leader the fearless violinist/violist/cellist switched to cello so that we could play a Beethoven piece (op87) arranged for 3 cellos. I was really happy with the way I played - since I was playing first cello for it I spent the entire time (4 movements) in tenor...and even managed to figure out how to play the thumb position parts that were written in tenor. We had been practicing for a while...and this was the best we'd ever played the whole piece (good timing!) We played a Vivaldi violin and cello concerto but I got to take it easy with the cello part while our other cellist (we were at her house) did the solo. The big piece we did was 3 movements from the Schubert quintet - wow! We had our moments good and not so good, but it was so much fun to play it since it is one of my all-time favorite pieces of music.

After the gig was over we drove home in a snowstorm! It was the last bit of snow for us, now that it's warmed up. Poor Washington state, first hit by an unusual amount of snow and now it's warmed up, raining and it's flooding everywhere.